Americana

Gurf Morlixs The Soul and The Heal

Posted on Jun 10, 2017 in Americana Music, New releases, Reviews

By Paul T. Mueller

On his latest CD, The Soul and the Heal, Austin-based singer-songwriter Gurf Morlix celebrates humanity in all its flawed glory. These 10 songs comprise an unsparing examination of what’s good and what’s not so good in people, all seen through Morlix’s critical but sympathetic lyrics and conveyed in his familiar gruff voice.

Now in his mid-60s, Gurf Morlix has had the opportunity to observe a wide variety of people, from his early years in upstate New York through his long musical career in places like Nashville and Austin. It’s a safe bet he’s known the subjects of these songs, or people much like them. Some of his characters aren’t very likable – for example, the narrator of the ominous “Bad Things,” who insists, not entirely convincingly, that he’s “a good man who may have done some bad things.” Some, such as the wounded-by-love protagonist of “I’m Bruised, I’m Bleedin’,” come across as more victim than perpetrator.

But amid the darkness, there is also light. “Love Remains Unbroken” celebrates the emotional connections that help us through tough times; “Right Now” is an ode to focusing on the present instead of dwelling on the past or the future; “Quicksilver Kiss” recalls the first flowering of new romance; “Move Someone” is a plea for human interaction.

The contradictions of life are neatly summed up in “The Best We Can,” the album’s closing track, which is built around what Morlix has described as a “pretty chord” of the kind he rarely uses. “Ain’t none of us are noble/We lead tawdry little lives/We’re animals roaming the land,” he sings matter-of-factly. “We might be made of stardust, but that don’t make us special/And we gotta do the best we can.” It’s not exactly a rousing pep talk, but Morlix’s gentle, jazzy guitar and restrained optimism make for a welcome message for anyone dealing with the daily grind.

The songs’ thematic contrasts are echoed by the artwork of the CD cover – on the front a cross-section of a cherry, bright red and shaped like a heart, and on the back an amorphous splatter, also bright red, that looks a lot like blood.

In addition to producing, Gurf Morlix handled all of the singing here and much of the playing – guitars, bass, keyboards and percussion. Other contributors include Rick Richards on drums, Ray Bonneville on harmonica and Nick Connolly on B3 organ.

Source: Sun 209

Conroe Americana Music Festival

Posted on May 10, 2017 in Americana Music, Festivals

By Paul T. Mueller

Conroe, Texas – The good times continued through the weekend at the premiere edition of the Conroe Americana Music Festival. Fair weather, a strong lineup and a relaxed vibe made for a fine experience for the hundreds in attendance in the small city north of Houston.

Dale Watson and Ray Benson at Conroe Americana Music Festival

The schedule on Saturday, May 6, began at 12:30 p.m. and ran until midnight, with 26 shows at six venues. A noon-to-6:00 Sunday schedule featured 17 shows. Many fans found themselves trying to decide among several good options at the same time; the event’s relatively small footprint, spread over a few blocks, made it possible to see parts of multiple sets without spending too much time in transit.

Some Saturday highlights:

  • The appropriately named Caleb and the Homegrown Tomatoes, from Conroe, kicked off with a lively set that included “Family,” a look at the ups and downs of life on the road, and nice covers of the James Gang’s “Funk 49” and Robert Ellis’ “California.”
  • Sophia Johnson, a native of England who relocated to Austin a few years ago, played an energetic set of bluegrass and swing that showcased her impressive guitar skills. The supporting cast included Beth Chrisman on fiddle.
  • Texas honky-tonker Mike Stinson demonstrated his gift for catchy hooks and rocking riffs on songs such as “Late for My Funeral” and “The Box I Take to Work.” The set featured nice contributions from ace guitarists Lance Smith and Brian Whelan (for whom Stinson played drums in an earlier set).
  • Eric Taylor

    Iconoclastic singer-songwriter Eric Taylor, a mainstay of Houston’s folk scene in the ‘70s, played a few long songs featuring his unorthodox vocals and guitar playing, interspersed with rambling stories about marital misadventures and the time Lucinda Williams introduced Bob Dylan to Townes Van Zandt. Taylor eventually left the stage to his wife, Susan Lindfors, who played a couple of nice songs including her “A Matter of Degrees.”

  • Notable moments from Sunday:
  • Houston-based trio The Great Trumpet played an engaging set of energetic folk featuring guitar, washboard and cajón, plus nice contributions from a guest fiddler (but no horns). The songs were marked by interesting arrangements and nice harmonies by guitarist Andrew Smythe and washboard player/singer Sarah Haug.
  • Folksinger Ray Bonneville, a native of Canada now living in Austin, entertained an attentive audience at the Red Brick Tavern with songs exploring the problems and rewards of living, all filtered through his weathered voice and distinctive guitar playing. Selections included “When I Get to New York,” “Funny ‘bout Love,” “What Was I To do,” and a couple of requests “Canary Yellow Car” and “Tiptoe Spider.”
  • Honky-tonk star Dale Watson and Western swing master Ray Benson (frontman of Asleep at the Wheel) put on a clinic in crowd-pleasing showmanship during one of the festival’s closing sets. Songs included some by Watson (“I Lie When I Drink”), some by Benson (“Miles and Miles of Texas”), some by both (“The Ballad of Dale and Ray,” “Feelin’ Haggard”), and some classics (Merle Haggard’s “Misery and Gin,” Bobby Troup’s “Route 66,” Commander Cody’s “Hot Rod Lincoln”). There was also plenty of comic interplay between the two veteran performers. The encore consisted of exuberant renditions of Hoyle Nix’s “Big Ball’s in Cowtown” and Waylon Jennings’ “Are You Sure Hank Done It This Way,” featuring assistance from fellow festival performers Guy Forsyth, Jon Dee Graham, Bruce Robison and Kelly Willis.Festival talent booker Tracy Gordon, speaking shortly after the last notes had faded and crews had begun breaking down the outdoor stages, pronounced the festival a success. “The fans had a great time,” Gordon said, noting that the event had drawn attendees from other states as well as from around Texas. Asked about future plans, she said the event’s producer, the Conroe Downtown Area Association, “hope[s] to continue to grow the festival.”

Eric Taylor

Iconoclastic singer-songwriter Eric Taylor, a mainstay of Houston’s folk scene in the ‘70s, played a few long songs featuring his unorthodox vocals and guitar playing, interspersed with rambling stories about marital misadventures and the time Lucinda Williams introduced Bob Dylan to Townes Van Zandt. Taylor eventually left the stage to his wife, Susan Lindfors, who played a couple of nice songs including her “A Matter of Degrees.”

Source: Sun 209

Preview of Drew Holcomb and The Neighbors In Concert At Ryman Auditorium Nashville

Posted on May 10, 2017 in Americana Music, Nashville music, Ryman Auditorium

Americana Music News – This is a very big weekend for Drew Holcomb and the Neighbors. They’re playing two nights at the legendary Ryman Auditorium in Nashville – and they just have to drive across the river to get to their shows.

East Nashville is home base for this talented band, currently touring in support of their excellent new album Souvenir. We wrote briefly and approvingly about the album in February, but may have undersold it. This is a band with top-notch musicianship and a healthy respect for hooks. “California” still looms large in our personal playlist.

Some tickets are still available for the Friday and Saturday shows, with Joe Purdy and Penny & Sparrow opening on respective nights.

Source: Sun 209